Jane Campion adds a modern twist to western mythology in her best film since the Palme d’Or winner «Piano».
It’s been 12 years since Jane Campion last made a feature film. We thought she might have been “lost” to the series format after the success of “Top of the Lake”.
But here she is back in great shape in perhaps the best feature film she has made since “Piano” (1993).
Read the whole case with subscription
Newsletter Need a new series to watch? Get brand new recommendations from film and series reviewer May Synnøve Rogne by e-mail.